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Editorial Reviews

Review by Ken Dryden The Connection was an off-Broadway play that centered around a number of dope addicts waiting to score a fix from their dealer, with a musical score contributed by pianist Freddie Redd. After Redd recorded an album for Blue Note and left the production, baritone saxophonist Cecil Payne and pianist Kenny Drew composed songs for a brand new score, with Payne taking over Redd's duties providing music for the play. Payne expanded to a sextet from a quartet for his LP (issued by the Charlie Parker label), though his recording has been unjustly overlooked. Joined by Clark Terry and Bennie Green in the front line, and a rhythm section consisting of Duke Jordan, Ron Carter, and Charlie Persip, Payne's album also has much to offer. While it is difficult to conceptualize what the play was like by just listening to this recording, the music stands on its own. All of the musicians shine throughout the sessions. Though Payne is a fine soloist, Terry's almost conversational solos tend to steal the show. Long out of print, this excellent disc will likely be found only on jazz auction lists.

STOP AND LISTEN

BORN AGAIN

DEAR PEOPLE

KENNY'S ONE

SISTER CAROL

MIGHTY FINE WINE

IT'S YOUR LIFE

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Thames Kosmos Ingenious | Ultimate Family Strategy Game | 1 –

Viva! La Woman

January 16, 1996

Alternative Dance

A cult classic, Cibo Matto's debut album announced Miho Hatori and Yuka Honda as innovators with a healthy disregard for the boundaries between punk, pop, trip-hop, and rap. Whether they're casting a spell of dreamy sensuality ("Sugar Water") or tearing it up (the brashly surreal "Birthday Cake"), Cibo Matto's freshness comes through at every turn, even twenty-five years later.

- Heather Phares

Noah and the Whale

Last Night on Earth

March 7, 2011

Alternative Singer/Songwriter

A complete departure from Noah and the Whale's previous album focused on heartbreak, Last Night on Earth is a celebration of living life to the fullest. Perfect for a lowkey but enjoyable night, and when listened to in order, the energy of the songs gradually declines.

- Kylie Lynne